摺疊作為一種收納、壓縮的動作；如同我們摺疊衣物，力求空間的儲存和秩序， 也如摺紙藝術將平面的紙，化生萬化千變的動物與物件。「褶曲」更是重要的哲學概念，指出空間、運動與時間的疊合，把世界理解為壓縮時空中交織的無限皺褶。《摺FOLD》以發生於都會空間的故事作為引子，將城市、建築與地景的壓縮與褶曲理解為抽象造型，以紙摺疊後的空間形式，隱喻建築內部空間與都會聚落的配置。在歷史與空間的堆疊與錯置下，一如「愛麗絲夢遊仙境」的兔子洞所開展空間敘事，以無窮盡的高密度展現在萬華地區， 透過故事之間相互作用與在地耆老口中所講訴的記憶場域，如：克難街、竹林、馬場、眷村、防空壕、醬園、將軍宅等周遭作成皺褶軌跡，利用折疊的空間所造成的多重敘事，透過民眾集體敘事的回憶，演繹著屬於這些地方的傳奇與軼事。

Folding is an action performed for the purposes of storage and compression: when folding clothes, we aim for saving space and creating a spatial order; and in the art of origami, pieces of two-dimensional paper are folded into myriads of animals and objects. Meanwhile, “the fold” as an important philosophical concept points to the overlapping of space, movement, and time, through which the world is understood as infinite crisscrossing folds in space-time compression. In FOLD, the artist uses stories taking place in urban space as a lead-in, and perceives the compression and folds of cities, architecture, and landscape as an abstract form, utilizing the spatial form of folded paper as a metaphor for architectural interior space and configuration of urban settlements. Layering and interweaving history and space, the work unfolds an infinitely dense spatial narrative in the area of Wanhua, similar to that unveiled through the rabbit hole in Alice’s Adventures in Wonderland. Through the interaction between stories and the folds converted from surrounding sites now only existing in memory of local elders, such as Kenan Street, bamboo grove, Machang, military dependents’ villages, air raid shelters, fermentation workshops, and general’s residence, etc., this work engenders a multilayered narrative using the folded space, and interprets the tales and anecdotes of these places through people’s collective narratives and memories.